In this raw examination of signal and noise, the artist transforms the gallery into a broadcast station of fractured communications. Stacked frames create a makeshift tower of imagery—part antenna, part archive—while diagonal poles slice through space like searching frequencies. The repeating "BLAH" text on the wall reads like a printout of dead air, the visual equivalent of radio static.

On the left, "NO WAY OUT" emerges from a field of psychedelic static, while scattered images in the frames flicker between clarity and chaos like channels caught between stations. The mysterious blue form on the floor suggests a fallen piece of sky or solidified wavelength, grounding these transmissions in physical space.

This isn't about clean signals or clear messages—it's about the beautiful chaos of crossed wires, dropped connections, and corrupted data. In an age of hyper-connectivity, the work stands as a monument to miscommunication, celebrating the poetry of interference and the messages that get lost in translation. Here, transmission becomes less about what gets through clearly and more about what transforms in the journey from sender to receiver.